Barbara-Anne James

As a stroppy teenager I once stormed off to London, lusting after freedom and sophistication. It took two nights in a gruesome guest house to make me realise growing up in, on and around the Solent was actually OK.

I returned to London to take a Performing Arts Degree and stayed 10 years working in theatre and TV before heading back south. A rented quirky quayside cottage with river views started me painting. Again.

Aged 9, my picture of Grace Darling rescuing shipwrecked sailors had earned me a Blue Peter badge.

I’d been unusually pleased with this painting, except for the sea. Fatally, I shared this concern with my teacher, Mr Smart, and while I was in the playground he decided to add flicks of white paint all over my Atlantic Ocean...

I had an impressively broad vocabulary for a nine year old, my father being ex-Merchant Navy, but I was speechless with fury, so Mr Smart was spared my critique on his handiwork. He pronounced the wretched picture excellent and sent it to the BBC.

I spurned the coveted badge and wouldn’t paint anymore until senior school where I had no choice. The teacher there thought any attempts by me at GCSE Art would end badly.

My reluctant scribble of a costume design for Ophelia during my Performance Art Degree began another shy flirtation with fine art. It nearly became a full blown affair when a tutor encouraged me to apply to the Slade (a renowned art college, not Noddy Holder’s ensemble) but the damning verdict from school lingered and I chose to work on a different creative canvas.

Years later, gazing out from my temporary home in Lymington, I suddenly saw the future with clarity and an astonishing lack of self doubt – I would become a professional artist. I bought my first tubes of oil paint and was off. A gallery took me on, my paintings sold, I reached the finals in national competitions and publishing offers came from around the world. It was encouraging when one painting, selected by WH Smith for their British Artists card range sold 20,000 in the first year.

However, epic amounts of solitary hard work went into getting here so please don’t think I’m ever arrogant or complacent. Pictures can still go wrong and when months of work land up in the bin it’s hideous.

But when someone says they still display my greetings card five years after it arrived, because it gives them such pleasure, it’s a joyous moment. It’s why I do what I do.

I’m driven by colour, atmosphere & the story beyond the canvas. And there is always a story. Thank you very much for reading a little of mine.
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© Barbara Anne James 2021. All rights reserved. Unauthorised copying or reproduction of images is prohibited.
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